May

2 2019

Yom HaShoah Program

6:00PM - 9:00PM  

Jewish Educational Alliance 5111 Abercorn St.
Savannah, GA

Contact Jamie Richman
912-355-8111
campaign@savj.org

The Mischlinge Expose

Yom HaShoah Observance

 

Carolyn Enger

Pianist Carolyn Enger has gained critical acclaim for her lyrical and dynamic playing, and her deeply felt interpretations of works from the Classical period to the present. With a keen sense of history, identity, and personal connection, Ms. Enger views music in the context of the unfolding of human affairs, past and present. These interests have stirred Ms. Enger to plan and present a multimedia concert program, Resonance, which addresses a rapidly changing climate, interleaving contemplative natural imagery with atmospheric and meditative compositions by Bach, Debussy, Caroline Shaw, John Luther Adams, and others.

Ms. Enger’s dedication to bringing music to new audiences has motivated her to perform in accessible civic spaces, including a residency in Fall 2018 with Multicultural Education and Counseling through the Arts (MECA) in Houston; she has also given performances at Israel’s Bet Yad Lebanim in Nahariya, the Felicja Blumental Music Center in Tel Aviv and, in New York City, at St. Peter’s Church and the Donnell Library Center. Her performance at the New York Public Library for the Performing Arts is also featured in Frederick Wiseman’s acclaimed documentary Ex Libris, which has its PBS premiere in Fall 2018. Ms. Enger’s community engagement performances have left presenters and audiences, in the words of Cheryl Wylen, Program Director of the Backstage at the Y Concert Series, “in complete awe of her passion, skill and genuine warmth.”

Ms. Enger is a Steinway Artist.

 

The Mischlinge Expose

Enger has created a unique performance piece that combines music, film, art, and literature with the audiovisual testimony and original artworks of her late father, Horace J. Enger, and her godmother, Rosemarie Steinfeld.

The piece — called “The Mischlinge Exposé” — is about their experiences in Germany as “half-Jews” — Mischlinge — according to the Nazi Nuremberg Laws.

The Mischlinge Exposé is a many-layered multimedia performance centering Enger’s  family history and her personal experience with Judaism. The program features the music of German-Jewish-born composers Felix Mendelssohn, Arnold Schoenberg, Alexander Zemlinsky, and Hanns Eisler. The works contextualize video and audio testimony of her father, Horace J. Enger, and godmother, Rosemarie Steinfeld's, experiences in Germany after the Nuremberg Laws were passed (both were labeled "Mischling, Grade A," by the Nazis). Readings of text by Rahel Varnhagen and Heinrich Heine, both converts to Christianity who felt deeply conflicted after their conversion, show the turmoil that may have made its way into the music. Works by contemporary Israeli composers Paul Ben-Haim and Lior Navok offer a glimpse of Israel, where Enger’s father's fully Jewish cousin emigrated during the war to escape Germany. Through the lens of historical context and the artistic and poetic testimony of prominent converts, the performance traces Enger’s family story of conversion from Judaism to Christianity and back to Judaism.